This thesis explores the concept of the “contorting body” as a physical practice in performance art and as a metaphor for marginalized individuals’ complex, intersectional identities. Focusing on my lived experiences as an Asian female queer performance artist in Europe, the research integrates Chinese Contortion, New-way Voguing, and Feminist Translation Theory to develop a framework that challenges particular Western stereotypes and highlights intersectionality in performance art.

The concept of the contorting body is physically represented through the highly disciplining Chinese Contortion and the queer dance New-way Voguing, created by people of color. Metaphorically, it reflects the intertwining of multiple minority identities, offering an authentic representation of marginalized communities.