Research Projects
HOME OF PERFORMANCE PRACTICES has a thriving research culture, organised around its core specialisations of choreography, theatre practices, performance art, digital performance and the de-disciplined body.
Alongside the independent research of individual students and faculty, we encourage collaborative, de-disciplined and socially engaged research initiatives.
Below you can find a depository of all the research conducted by our Master students.
Choreography based Research Projects
ANTI UIMONEN (2020-2022) | Redefining my Personal Relationship to Work (in process)
BARBARA LEHTNA (2019-2021) | Negotiable Consent: A care-mechanism in participatory performance
CAN BORA (2020-2022) | Beyond the External Identities: The use of Repetition in Somatic Practices towards a Wider Body-Image Perception (in process)
DIETER DEFURNE (2018-2020) | Lingering Dance: Kinesthetic Experience of Time in Movement
ELLA TIGHE (2019-2021) | The Hospitality of Surrender: Re-situating Agency within Dance Practice
KADRI SIREL (2020-2022) | Special Agents (in process)
KATRINA DUKA (2020-2022) | Creating a Method for Queer Transformation Using Objects as Prosthetics (in process)
Performance Art based Research Projects
Theatre Practices based Research Projects
BARBARA LEHTNA (2019-2021) | Negotiable Consent: A care-mechanism in participatory performance
DANIEL VOORTHUIS (2018-2020): | Malfunctions: Ethics and Ontologies for Dressing-Up
RICHARD L. KRAMAROVA (2018-2020) | The objected and the objecting doin'it for themselves
MARIKEN OVERDIJK (2018-2020) | The city as an anthology: Reading my town by writing her a letter
MAYA NITZAN(2020-2022) | Imitation as Reconfiguring the Relationship Between Reality and Fiction : Emboding the Other as a Social Act (in process)
ZANDILE DARKO (2020-2022) | Becoming Animal ( in process)
ZUZANNA SOSNOWSKA (2020-2022) | Empowering of my Artistic Strategy to Narrow my Flexibility as an Artist- Case Study of Myself (in process)
ANDREA VAN DER KUIL (2020-2022) | Exposing the Role of the Costume Designer as Translator (in process)
ANNE MARINA FIDER (2020-2022) | Slut: A Love Story (in process)
ANTRIANA MOUTOULA (2019-2021) | Nonstop Languaging as Autotheory in Art and Academia
ANUSHKA NAIR (2019-2021) | Becom(th)ings: Posthumanism, Subjectivity, Performance art
ELLA TIGHE (2019-2021) | The Hospitality of Surrender: Re-situating Agency within Dance Practice
GUSTAVO TOME (2020-2022) | The Artist is Tired ( in process)
MARIKEN OVERDIJK (2018-2020) | The city as anthology: Reading my town by writing her a letter
Performance Art based Research Projects
Digital Performances based Research Projects
De-disciplined Body in Performance based Research Projects
ANALU FRETTA BARROS (2020-2022) | Holy Queer Experiences: Christian Spiritual Existences (in process)
ANDREA VAN DER KUIL (2020-2022) | Exposing the Role of the Costume Designer as Translator (in process)
ANTRIANA MOUTOULA (2019-2021) | Nonstop Languaging as Autotheory in Art and Academia
ANUSHKA NAIR (2019-2021) | Becom(th)ings: Posthumanism, Subjectivity, and Performance Art
DANIEL VOORTHUIS (2018-2020): | Malfunctions: Ethics and Ontologies for Dressing-Up
JESSICA RENFRO (2019-2021) | We called it _______: Filling the Gaps in Participatory Art Design
KATRINA DUKA (2020-2022) | Creating a Method for Queer Transformation Using Objects as Prosthetics (in process)
MARIKEN OVERDIJK (2018-2020) | The city as anthology: Reading my town by writing her a letter
STELIOS TROULLAKIS (2020-2022) | My Queer Identity: A search for Identity and Queer Representation in Contemporary Photography (in process)
