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Research Projects

HOME OF PERFORMANCE PRACTICES has a thriving research culture. Alongside the independent research of individual students and faculty, we encourage collaborative, de-disciplined and socially engaged research initiatives.

Below you can find a depository of all the research conducted by our Master students.

 

 

 

Choreography Research Projects

Choreography based Research Projects
 

ANALU FRETTA BARROS (2020-2022) | BLA BLA: Between Languages and Body-Languages and Dance-Poetry

ANNE MARINA FIDLER (2020-2022) | Remedies for Connection: Polyvagal Practices and Participatory Performance

ANTI UIMONEN (2020-2022) | Movement Improvisation as a Practices to Imagine Sustainable Futures

BARBARA LEHTNA (2019-2021) | Negotiable Consent: A care-mechanism in participatory performance

CAN BORA (2020-2022) | Responsible Autonomy: Felt-sense & the Entanglements of Fascism, Somatics, and Eroticism

DIETER DEFURNE (2018-2020) | Lingering Dance: Kinesthetic Experience of Time in Movement

ELLA TIGHE (2019-2021) |  The Hospitality of Surrender: Re-situating Agency within Dance Practice

EMILY WELTHER (2019-2021) | Landscape of Liveness; Re/telling Plant Human Stories Through Live Performance

IRINA BALDINI (2019-2021) | Between a kick and a cuddle: A Fluid-Methodology based on Doubt and Confusion

FERNANDA GONZALES MORALES (2018-2020) |  Expanding Dance: A radically tender approach to bodily movement, authorship, and staging

KADRI SIREL (2020-2022) | De-desiring Dance Languaging for the Emergence of Dance Thinking

KATRINA DUKA (2020-2022) | Femme Queens and Gender Glitches: Performing the Technology of Becoming-monster

KORINA PAPADIMITRIOU KORDOVA SANTOS (2019-2021)| Amazoning Practices: processes of thinking/moving with a landscape

PENELOPE MOROUT (2018-2020) | H.I.I.T.: High-Intensity Identity Training: Strategies of self-awareness in a world fit for consumption

PISIOU MARIA (2018-2020) | Instant Composition Practices: The Principles of Instant Composition Practices and a Score-based Approach to Instant Composition Performances

RHYAN O'SHEA (2021-2023) | Ambivalence in Performance: Through Camp, with Joy

SOFIA KONDYLIA(2018-2020) |  Performing Geometries: Embodying Regular Euclidean Shapes by Means of the Dancing Body

TANIA GONZALEZ (2021-2023) | Still Dance: Movement in Times of Exhaustion

ZANDILE DARKO (2020-2022) | Becoming Turtle: Posthuman Strategies of Practice

 

 

 

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Theatre Practices Research Projects

Performance Art based Research Projects
 

Performance Art based Research Projects
 

ANDREA VAN DER KUIL (2020-2022) | Uncrafting Worth: Using Crafty Labour to Renegotiate Worth

ANNE MARINA FIDER (2020-2022) | Slut: A Love Story 

ANTRIANA MOUTOULA (2019-2021) | Nonstop Languaging as Autotheory in Art and Academia

ANUSHKA NAIR (2019-2021) |  Becom(th)ings: Posthumanism, Subjectivity, Performance art

ELLA TIGHE (2019-2021) |  The Hospitality of Surrender: Re-situating Agency within Dance Practice

ERYFILI DRAKOPOULOU (2019-2021) |  Transgeneration Skin Archives: Family Photos and Identity in Change through the Practices of ArchivingFamily Photos as Transgenerational Skin Archives

GAB BRANCO (2021-2023) The Fissure Practice : a trans-(de)-disciplinary artistic research on breaking silences through “envoicement” and embodiment

GUSTAVO TOME (2020-2022) | The Artist is Tired: How Partying Fails the Affects from Burnout Society

ZANDILE DARKO (2020-2022)Becoming Turtle: Posthuman Strategies of Practice

MARIKEN OVERDIJK (2018-2020) |  The city as anthology: Reading my town by writing her a letter

MAYA NITZAN (2020-2023) | The Fictitious Self & The Real Other: A Manual for Benign Liars

STEEF KERSBERGEN (2021-2023) | Becoming my Nonbinary Body: The Transformative Power of Imaginative Self-Representation through Image Making

 

STELIOS TROULLAKIS (2020-2022) | Queer-ies in Ritual: A Study of Queer Subjectivities in Emergence

THOMAS DIAFAS (2021-2023) | Performing the Real: Self-Care Practice to Combat Anxiety and Depression in Aers Education and in the Arts Market

 

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Performance Art Researh projecs
Digital Performances ResearchProjects

De-disciplined Body in Performance based Research Projects

ANALU FRETTA BARROS (2020-2022) | BLA BLA: Between Languages and Body-Languages and Dance-Poetry

ANDREA VAN DER KUIL (2020-2022) | Uncrafting Worth: Using Crafty Labour to Renegotiate Worth

ANTRIANA MOUTOULA (2019-2021) | Nonstop Languaging as Autotheory in Art and Academia

ANUSHKA NAIR (2019-2021) |  Becom(th)ings: Posthumanism, Subjectivity, and Performance Art

DANIEL VOORTHUIS (2018-2020): | Malfunctions: Ethics and Ontologies for Dressing-Up

ERMIS CHRISTODOULOU (2021-2023) | Trans-Mission: Visualizing and Imagineering Transgender Voice

FAI ALDHUKAIR (2021-2023) | It is Better not to Speak: Practices of Preserving Precarious Bodies   

FERNANDA GONZALES MORALES (2018-2020) |  Expanding Dance: A radically tender approach to bodily movement, authorship, and staging

JESSICA RENFRO (2019-2021) | We called it _______: Filling the Gaps in Participatory Art Design 

KATRINA DUKA (2020-2022) | Femme Queens and Gender Glitches: Performing the Technology of Becoming-monster

RICHARD L. KRAMAR (2018-2020) | The Resistant Object: The objected and the objecting doin'it for themselves

MARIKEN OVERDIJK (2018-2020) |  The city as anthology: Reading my town by writing her a letter

STEEF KERSBERGEN (2021-2023) | Becoming my Nonbinary Body: The Transformative Power of Imaginative Self-Representation through Image Making

STELIOS TROULLAKIS (2020-2022) | Queer-ies in Ritual: A Study of Queer Subjectivities in Emergence

VICKY MAIER (2021-2023) | The Joke's on____. Considerations on Ethics in Comedic Storytelling 

 

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Dedisciplined Researche Projects
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